Federal grant · project grant (b)
Collections and Community Engagement [BCM Seeks to Preserve Humanities Staff Through a Robust Process for Developing Co-created Collections Displays and Recorded Oral Histories as Part of the Our City Exhibit and for Display Windows Throughout the Museum. the Process Involves Working With Community Members to Review Existing Collections Holdings to Identify Meaningful Materials, Determining Current Gaps, Recording First-person Narratives Related to the Objects, Editing the Recorded Stories, Prototyping Them With Visitors to Ensure They Are Compelling, and Installing These Object Vignettes and Audio Guides With Media Players.] [purpose:?development of The museum?s ?our City? Exhibition. Activities to Be Performed: community Outreach, Collection Review, Oral History Recording and Editing, curation and Acquisition of Objects, development Of exhibit displays, Evaluation. Expected Outcomes:?families From Diverse backgrounds will examine identity And bias, Interact, Share Experiences, and Build Understanding and Compassion by Engaging With the Exhibition. the Museum Will Refine a Process for Future Community Co-creation of Exhibits.   Intended Beneficiaries: museum Visitors, Especially Children four- to Ten- years Old and Their Families and Caregivers. Subrecipient Activities:?the Recipient Does Not Intend to Subaward Funds.]
Committed
$218,435
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Committed is what the government has legally promised on this award so far. Contracts can also carry a ceiling — the maximum if every option is exercised. Unspent ceiling is headroom, not money owed.
The cash actually disbursed against this award. The gap from committed is the disbursement pipeline: promised, not yet cashed.
Each transaction is a signing event — an action that created or changed the award, dated the day it was signed — not a payment. Negative amounts are real: money de-committed at closeout or renegotiation.
One bar, the award’s whole arithmetic: paid out, then committed, not yet paid, then .
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