Federal grant · project grant (b)
The Women Who Reported Vietnam [filmmakers Sally Rosenthal and Julia Marchesi, in Association With City Lore Inc., Are Seeking an Neh Production Grant for a Feature Documentary Film About the Women Who Reported on the Vietnam War, Their Extraordinary Experiences, and Their Untold Impact on Conflict Journalism. Among the Countless Women Who Have Challenged Traditional Gender Roles to Pursue Nontraditional Vocations, the Women Who Reported on Vietnam Occupy a Unique Place. Defying Societal Norms With Their Unconventional Career Choice, They Confronted Boundaries Both Official and Unspoken, as Views on Women?s Roles Shifted With the Times; Taking the Full Measure of Their Wartime Experience Reveals a Group of Ambitious Women Who Served as a Kind of Fever Chart for Changing Gender Norms in 1960S America. the Women Who Reported Vietnam Will Explore the Work and Legacy of These Brave and Brazen Journalists, and How That Conflict Forever Changed the Opportunities and Image of Female War Correspondents.]
Committed
$700,000
Paid out
$525.0K
75%
Committed, not yet paid
$175.0K
25%
Everything here is this single award's whole record — signed, amended, paid — not a fiscal-year slice. The by-year charts elsewhere split an award across the years it was committed; this page keeps it whole.
Committed is what the government has legally promised on this award so far. Contracts can also carry a ceiling — the maximum if every option is exercised. Unspent ceiling is headroom, not money owed.
The cash actually disbursed against this award. The gap from committed is the disbursement pipeline: promised, not yet cashed.
Each transaction is a signing event — an action that created or changed the award, dated the day it was signed — not a payment. Negative amounts are real: money de-committed at closeout or renegotiation.
One bar, the award’s whole arithmetic: paid out, then committed, not yet paid, then .
Loading…