Boston Symphony Orchestra, Inc.

Preserving Arthur Fiedler?s Legacy: Digitizing Boston Pops Radio Broadcasts (1958-1979) [the Boston Symphony Orchestra (BSO) Seeks Funding to Digitize 775 At-risk Audio Reels Representing 731 Radio Broadcasts of Live Boston Pops Concerts Between 1958 and 1979 That Document the Last 20 Years of Arthur Fiedler?s Extraordinary Tenure as the Pops Conductor. the Bso Will Preserve the Original Tapes and Make Digitized Files Available to Scholars and Interested Members of the Public.]

Committed

$130,586

Paid out
$33.6K
26%
Committed, not yet paid
$97.0K
74%

How to read these numbers

One award, start to finish: Everything here is this single award's whole record — signed, amended, paid — not a fiscal-year slice. The by-year charts elsewhere split an award across the years it was committed; this page keeps it whole.
Committed vs. ceiling: Committed is what the government has legally promised on this award so far. Contracts can also carry a ceiling — the maximum if every option is exercised. Unspent ceiling is headroom, not money owed.
Paid out: The cash actually disbursed against this award. The gap from committed is the disbursement pipeline: promised, not yet cashed.
The ledger: Each transaction is a signing event — an action that created or changed the award, dated the day it was signed — not a payment. Negative amounts are real: money de-committed at closeout or renegotiation.
The money bar: One bar, the award’s whole arithmetic: paid out, then committed, not yet paid, then .

Source

This award on USAspending.gov ↗

Federal grant · project grant (b)

National Endowment for the Humanities

Promotion of the Humanities Division of Preservation and Access to