Federal grant · project grant (b)
The George Eastman Museum Will Digitize and Provide Free Online Access to a Collection of Audio and Audiovisual Recordings. the Nearly 600 Hours of Recordings Document the Interviews, Lectures, and Gallery Discussions of Significant Photographers, Actors, Filmmakers, Scholars, Curators, and Critics Who Have Influenced the Study of Visual Culture Over the Past Seventy-five Years. Building on a Previous Imls-funded Digitization Project, the Museum Will Reformat the Recordings, Which Currently Require Technologically Obsolete Playback Equipment to Access, to Open-source Digital Formats Accessible Through the Museum’s Website. the Project Will Support a Temporary Full-time Project Processing Archivist. the Digitization of the Recordings Will Improve Long-term Preservation by Minimizing Handling and Will Allow the Museum to Provide Free Online Access for the Benefit Researchers, Historians, Enthusiasts, and the Public Throughout the World.
Committed
$249,849
Paid out
$115.9K
46%
Committed, not yet paid
$133.9K
54%
Everything here is this single award's whole record — signed, amended, paid — not a fiscal-year slice. The by-year charts elsewhere split an award across the years it was committed; this page keeps it whole.
Committed is what the government has legally promised on this award so far. Contracts can also carry a ceiling — the maximum if every option is exercised. Unspent ceiling is headroom, not money owed.
The cash actually disbursed against this award. The gap from committed is the disbursement pipeline: promised, not yet cashed.
Each transaction is a signing event — an action that created or changed the award, dated the day it was signed — not a payment. Negative amounts are real: money de-committed at closeout or renegotiation.
One bar, the award’s whole arithmetic: paid out, then committed, not yet paid, then .
Loading…