Federal grant · project grant (b)
The Academy Foundation, on Behalf of a National Consortium of the Academy Film Archive, American Film Institute, Black Film Center/archive at Indiana University, Library of Congress, National Film Preservation Board, and the Ucla Film & Television Archive, Will Research and Design a Free Searchable Online Resource to Reassess and Change How Underrepresented Materials Are Identified in the Nation?s Film Collections. This Planning Project Will Develop Access to a Dataset That Gathers Individuals and Film Titles From Secondary Scholarly Sources, Specifically With Respect to Social, Gender, Racial, Ethnic, Ability, Sexual Orientation, and Cultural Identities. Scholars and Researchers at Public, Private, and Academic Libraries and Archives Across the Country Can Use the Online Resource to Accelerate the Discovery of Individuals and Films That Have Been Historically Marginalized or Excluded From the American Film Canon.
Committed
$100,000
Everything here is this single award's whole record — signed, amended, paid — not a fiscal-year slice. The by-year charts elsewhere split an award across the years it was committed; this page keeps it whole.
Committed is what the government has legally promised on this award so far. Contracts can also carry a ceiling — the maximum if every option is exercised. Unspent ceiling is headroom, not money owed.
The cash actually disbursed against this award. The gap from committed is the disbursement pipeline: promised, not yet cashed.
Each transaction is a signing event — an action that created or changed the award, dated the day it was signed — not a payment. Negative amounts are real: money de-committed at closeout or renegotiation.
One bar, the award’s whole arithmetic: paid out, then committed, not yet paid, then .
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