Public beta© 2026 Adaptrex, LLC
Public beta© 2026 Adaptrex, LLC
Federal grant · project grant (b)
Black Photographers Chronicle America, 1945?1985 [carnegie Museum of Art Is Requesting Exhibition Planning Support for the First Comprehensive Consideration of Black Photojournalism From World War Ii Through the Heart of the Civil Rights Movement in the 1950S and 60S. During a Pivotal Period of Social Change in Our Nation, Black Freelance and Staff Photographers Working for National and Regional Publications Recorded History in the Making. From Black Servicemen Fighting Abroad to Family Life on the Home Front, From the Death of Emmett Till and the Assassination of DR. Martin Luther King, JR. to the Historic March on Washington, These Images Document Formative Milestones in the Nation?s History and Present an Accurate Picture of Social and Cultural Change That Continues to Resonate Today. Featuring Original Photographs, Films, and Ephemera From Collections and Archives Across the United States, This Unprecedented Exhibition and Its Accompanying Catalogue and Public Programming Will Showcase Significant Imagery by Black Photographers.]
Committed
$70,231
Everything here is this single award's whole record — signed, amended, paid — not a fiscal-year slice. The by-year charts elsewhere split an award across the years it was committed; this page keeps it whole.
Committed is what the government has legally promised on this award so far. Contracts can also carry a ceiling — the maximum if every option is exercised. Unspent ceiling is headroom, not money owed.
The cash actually disbursed against this award. The gap from committed is the disbursement pipeline: promised, not yet cashed.
Each transaction is a signing event — an action that created or changed the award, dated the day it was signed — not a payment. Negative amounts are real: money de-committed at closeout or renegotiation.
One bar, the award’s whole arithmetic: paid out, then committed, not yet paid, then .
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